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Submit Response is a weblog by Jack Mottram, a journalist who lives in Glasgow, Scotland. There are 1308 posts in the archives. You can subscribe to a feed. This post was made on and belongs in the art and culture category. The previous post was , and the next post is .

Ballard On Art

Good stuff from a Grauniad interview with J.G. Ballard:

I don’t think it’s possible to touch people’s imagination today by aesthetic means. Emin’s bed, Hirst’s sheep, the Chapmans’ defaced Goyas are psychological provocations, mental tests where the aesthetic elements are no more than a framing device.

It’s interesting that this should be the case. I assume it is because our environment today, by and large a media landscape, is oversaturated by aestheticising elements (TV ads, packaging, design and presentation, styling and so on) but impoverished and numbed as far as its psychological depth is concerned.

Artists (though sadly not writers) tend to move to where the battle is joined most fiercely. Everything in today’s world is stylised and packaged, and Emin and Hirst are trying to say, this is a bed, this is death, this is a body. They are trying to redefine the basic elements of reality, to recapture them from the ad men who have hijacked our world.

Emin’s beautiful body is her one great idea, but I suspect that she is rather prudish, which means that there are limits to the use she can make of her body and its rackety past. Meanwhile, too much is made of conceptual art - putting it crudely, someone has been shitting in Duchamp’s urinal, and there is an urgent need for a strong dose of critical Parazone.

And, later on:

Can art be a vehicle for political change? Yes, I assume that a large part of Blair’s appeal (like Kennedy’s) is aesthetic, just as a large part of the Nazi appeal lay in its triumph of the will aesthetic. I suspect that many of the great cultural shifts that prepare the way for political change are largely aesthetic. A Buick radiator grille is as much a political statement as a Rolls Royce radiator grille, one enshrining a machine aesthetic driven by a populist optimism, the other enshrining a hierarchical and exclusive social order. The ocean liner art deco of the 1930s, used to sell everything from beach holidays to vacuum cleaners, may have helped the 1945 British electorate to vote out the Tories.

Posted at 2pm on 05/07/04 by Jack Mottram to the art and culture category.
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  1. Fantastic entry - I need to read more! Can you fix the link to the Grauniad piece?

    Posted by Rob Annable at 5pm on 05.07.04

  2. Oops! Now fixed…

    Posted by Jack at 8pm on 05.07.04

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